On the plane from Charlotte to Dublin. |
Two of our
younger daughters drove us to the airport to catch our flight to Dublin,
Ireland—I think they were as elated and as giddy as I was for us to be on this
adventure. Our baggage (after hard work of planning and packing) cleared
without a glitch.
We flew to
Charlotte and then across the vast expanse of water—across the Atlantic Ocean.
I watched our progression on a screen on the seat in front of me; the tiny
plane moved by millimeters over five thousand miles. We landed in Dublin at
6:38 am. After seven hours of sleeping fitfully and sporadically, we came fully
awake. We stood up in the cabin of that plane realizing we were in a different
country, on a different continent.
Ireland.
The stuff of
dreams (at least mine).
I can
recount in detail the next couple hours of our trip—details that honestly would
mean little to you, so I will skip them, leave them in the suitcase bundled
tightly. One thing we did know? We would battle jet lag, and so we made a
decision to attempt to stay awake the entire day.
We hit the
ground running.
We had only
one window of opportunity to see St. Michan’s (short i) Church. A brief
backstory would be interesting and helpful here, but for lack of time and space
just click on the link and you can read about this church for yourself.
Tucked
between modern buildings this 1,100-year-old church seems lost in the myriad
of city planning that grows around it. St. Michan’s is across the River Liffey,
deep in the inner city of Dublin. We went because this church is famous for its
crypt. Well, it’s known not so much for its crypt as for who resides in the tombs beneath the church.
Steve and I
descended far too narrow and steep stone stairs to the cool underbelly of St.
Michan’s—into the tunnels where people laid at rest with the church’s structure
as their tombstone.
Our tour guide opening the Crypt door. |
The Crypt stairs. |
Yes, Steve
and I met four people—mummified over the centuries of time, asleep in the hard
confines of their wooden coffins. I stood at the door of their crypt and looked
in at them—I wondered how they would have reacted to having all of us stare at
them unabashedly in their state? But stare I did.
Photography is no longer allowed in the crypt; this photo is from an internet source. |
People
talked and joked. Our tour guide’s sense of humor played riot around us, but I
heard all of this in a muffled way, lost in my thoughts and imaginations.
Four people
whose once robust and strong bodies were reduced to the stretch of skin over
the stakes of bones—the remains of the tents that they were, that we are. If
ever I understood the brevity and temporary state of our lives, I realized this
truth here. In the crypt of an old church—gazing at flesh tents preserved by
time and limestone and temperature.
Their names
are lost to us—unknowns missing hands and with broken legs. We know one was a
knight and one a nun. Their stories?
Buried with them, or at least with the few who knew them.
But God
knows their stories; their life is not lost to him. He knows them by name. He
knows who they were and who they were not. He knows why one lost his hand, and
why the other fought in the Crusades. God knows. Death does not hinder the
Father; it does not wipe his people from his Presence.
I left St.
Michan’s Church with questions swirling in my head. And the crypt remained with
me throughout the trip, even after we came home—not in a haunting, specter-type
of way, but in fragmented images and unfinished thoughts.
One morning
after being home from Ireland for over a week, I was in the middle of getting
ready for work. In the midst of the mundane routine of things St. Michan’s and its
inhabitants returned to me, full and in color. Not Newgrange. Not Trim Castle.
Not St. Patrick’s Cathedral, but the out-of-the-way, mostly unknown, invisible
St. Michan’s and his residents.
In Ireland,
God had to start me where I was. God (as I say in Growing Room) always starts
at the beginning. At the first of things. For months I had fought the waning of
life in my spirit, battled until spiritually I wasted to the stretch of skin on
bones. The dusk of darkness and the weight of sorrow leaked joy and robbed the
moisture and vibrancy right out of me. I felt like a shrunken version of
myself.
In my
routine of preparing to face my world, the images of the residents of St.
Michan’s Crypt came to me.
God took me
to a place of death in order to bring me to a place of life.
I recalled
the urge of (as morbid as it sounds) wanting to touch the nun’s hand—to just
reach out my fingers and brush hers, to create a connection. To tell her I saw
her and desired to know her story. I knew she was much more than the shrunken
tent before me. At one time she lived animated and full of quickening verve. At
one time she knelt and prayed, her voice lifting beyond the vaulted ceilings of
her church.
This bride,
a virgin consecrated to the Groom, spoke to me across the centuries. From her
stone vault, from her wooden bed, she reminded me to live. To live in Him. To
die is gain (which gain she had), but in the midst of life, we must learn to
live.
To live in
the wonder and the mundane, in the beauty and the ugliness, in the darkness and
the light, in the sorrow and the joy, in the grief and the bliss, and in
conflict and peace.
Through this ancient nun, through her silent and muted lips, and through her unknown story God reminded me to LIVE!
And I rose
from my bed, pushed out of my wooden confines and stood.